Several years ago, while I was still working as a photographer, I received a call from the marketing director at Blurb who asked what I was working on. She explained that Blurb had a film crew and was looking for a photographer who was mid project. I gave a quick explanation of my New Mexico Project and film crew said, “Yes, yes, yes.” Several weeks later I met up with the team in Southern New Mexico and we spend three days together. It was a great experience, and the resulting film really took on a life of its own.
Fast forward to 2012. Early in the year I taught a workshop in Peru and one of the students was this photo-Jedi from of all places Denmark. I’m a product of the public education system here in the good old US of A so I was VERY well acquainted with Denmark. A red and white flag of some sort, reindeer and people who live in mud huts, but what was puzzling to me was the photo-Jedi himself. He went by the name Flemming Bo Jensen, which in itself was complicated and confusing but nothing compared to the language he spoke when he we first met. If you haven’t heard Danish please look it up online. It turns out the perpetually traveling Dane was an encyclopedia of anything Star Wars and would often times reenact entire scenes, playing all characters and reciting dialogue to perfection. Talk about a great skill to have. He was also an accomplished photographer and technology dude of the highest of levels. After the workshop we remained in contact and ultimately made plans to connect when his travels aimed him toward the American Southwest.
I was continuing to work on my New Mexico Project and began to realize how advantageous it would be if I had another film to play with. Blurb had plans to release their rich-media platform, so I knew I would have a home for both the original film and as many other motion pieces I could create. I mentioned this to Flemming and asked if he would be up for working together. He was.
So, we formed a plan, lit some candles, sacrificed a few, small woodland creatures(kidding) and set out into the Land of Enchantment. As with all things in my life, I didn’t have much time. I took a week off from work and we did what we could. Some things worked really well and others not so much, but what I can state with absolute certainty is that we both learned a lot. I did audio recordings of text I had already written, and tried to wrap my head around an edit that might be interesting. Flemming was buzzing around our tiny house like an angry bee, shouting instructions in Danish and waving his arms in a figure eight pattern as he talked about growing up on a farm in Degobah. At the end of the week I departed for California and Flemming rented a supercharged Dodge and continued his travels.
Over the past few months the film began to take shape. Flemming approached a local friend and guitar player, David Goldberg, who agreed to do a soundtrack. I processed the film and made my selects. Flemming, through his Danish music scene connections, began to polish the sound and edit. Ultimately what was born is the film you see below; Una Pura Verdad(A Simple Truth). If you want to know the technical details and read Flemming’s take on the matter you can read his post HERE. When the film was finished Flemming and I made the instant decision that the finished film was more of a opening than a closing. We both know that filmmaking is going to be a big part of our future, probably more for Flemming than me, just based on time, but we already have plans for a future meeting in Santa Fe with more films on the visual horizon. This film was a tremendous amount of work, and I wish I could say it will repay us with fortunes in lost gold and invitations to late night parties in Hollywood, but the reality is this film was a labor of love that will, chances are, end up costing us several thousand dollars to produce, more if you count the time and travel. It’s something we did because we felt we needed to do it. It’s a personal project down to the DNA. Many thanks to Flemming, my wife Amy, David Goldberg, the Copenhagen crew and also photographer Arthur Drooker who led this horse to water. Siempre junto.
Una Pura Verdad from Flemming Bo Jensen on Vimeo.