Because I Can: The Postcard Book

SR_20130221_Books_016

Hey Folks,

This is the latest post in the “Because I Can” series about making Blurb books in an edition of ONE. Yes, you heard and read correctly. I’m making books with the intention of capping the print run at ONE book. Why? BECAUSE I CAN. We have really only had this option since about 2006, yet photographers ALREADY seem to take this for granted. I know, there is so much change on a daily basis that we are perpetually thirsty for the new, always wanting the latest and greatest. I get it. However, I for one cannot overlook the power in having the ability to make a single book. I wrote about this in a previous post, so if you want the background then go back and have a look. I pulled a selection from that prior post to set the table for this one. This is a series people. I’ve made at least a dozen books already and have eighteen more in the pipeline.

This book was created after overhearing a conversation between two young girls in a Japanese stationary store. They came across postcard material and said “Remember these? I really miss getting these in the mail.” Then they spoke about “giving up” and going with email. I asked myself “Why?” Why do we do this to ourselves. We give in, give up, cave to what is happening these days, as if we don’t have a choice. This book was crafted from found post cards, scanned front and back. Postcards were then sleeved and inserted into airmail envelopes.

SR_20130221_Books_004

SR_20130221_Books_013

Because I Can : Wargames

Hey Folks,

This is the latest post in the “Because I Can” series about making Blurb books in an edition of ONE. Yes, you heard and read correctly. I’m making books with the intention of capping the print run at ONE book. Why? BECAUSE I CAN. We have really only had this option since about 2006, yet photographers ALREADY seem to take this for granted. I know, there is so much change on a daily basis that we are perpetually thirsty for the new, always wanting the latest and greatest. I get it. However, I for one cannot overlook the power in having the ability to make a single book. I wrote about this in a previous post, so if you want the background then go back and have a look. I pulled a selection from that prior post to set the table for this one. This is a series people. I’ve made at least thirteen books already and have eighteen more in the pipeline.

This little gem is one of my favorites so far. The work comes from a project I did several years ago, paintball and the combat that ensues upon the word “Go.” After receiving the book I drove it out to the paintball range and let the boys unload on it. The book was then allowed to dry then coated with a clear sealer. The entire mess lives in a black bag. Blurb wrote about this in their recent newsletter which went out earlier today.
As for the guts. Entire book was shot with Kodak TMZ.(RIP) If I remember correctly I used Contax G2’s because I knew I was probably going to get shot and it just might ruin a camera. I had three G2’s, so they were somewhat expendable. The book was super simple, 11×13, landscape, Proline Uncoated and all full bleed, double trucks. The case was made by Process Supplies. I loved the look and feel of the basic book itself, but it feels far more complete after the shooting.
51000008

51000014

51010025

Because I Can: WELCOME TO THE MATRIX

DM_BIC_2__9

This is the latest post in the “Because I Can” series about making Blurb books in an edition of ONE. Yes, you heard and read correctly. I’m making books with the intention of capping the print run at ONE book. Why? BECAUSE I CAN. We have really only had this option since about 2006, yet photographers ALREADY seem to take this for granted. I know, there is so much change on a daily basis that we are perpetually thirsty for the new, always wanting the latest and greatest. I get it. However, I for one cannot overlook the power in having the ability to make a single book. I wrote about this in a previous post, so if you want the background then go back and have a look. I pulled a selection from that prior post to set the table for this one. This is a series people. I’ve made at least seven books already and have eighteen more concepts ready to be explored.

Because I Can Series: Book Two, Saturation

Hey Folks,

This is the second post in the “Because I Can” series about making Blurb books in an edition of ONE. Yes, you heard and read correctly. I’m making books with the intention of capping the print run at ONE book. Why? BECAUSE I CAN. We have really only had this option since about 2006, yet photographers ALREADY seem to take this for granted. I know, there is so much change on a daily basis that we are perpetually thirsty for the new, always wanting the latest and greatest. I get it. However, I for one cannot overlook the power in having the ability to make a single book. I wrote about this in a previous post, so if you want the background then go back and have a look. I pulled a selection from that prior post to set the table for this one. This is a series people. I’ve made at least seven books already and have eighteen more in the pipeline.
SR_Because_032
Several months ago I got a call from a photographer who was asking me technical questions about color management. Now for me I equate color management with that gymnastics thing with the ribbon. I know there is an audience for it, but no matter how long I try attempting to comprehend its real meaning I always remain puzzled. Color management, if you are going to print anything, is wildly important, no doubt, but it’s just that I find it really boring. And, I think if you are too fixated on color management you will miss the idea of making the book in the first place. I equate this scenario to the famous Bruce Lee quote of “It is like a finger pointing to the moon. Concentrate on the finger and you will miss all that heavenly glory”
SR_Because_033
So, after this phone conversation, and after my urging the photographer to calibrate, use the ICC profile and to keep monitor brightness in mind, I realized my good intentions had been lost on someone still occupied almost entirely with color. I hung up the phone, turned to my wife and said, “I don’t think he gets it.” After further consideration I began to realize that perhaps I needed to be an example. If I MADE things that illustrated my point then perhaps the idea of the final product would outweigh the things that might keep people from feeling all that heavenly book glory. I made a decision right then and there to make ANY book that came to mind, NO MATTER HOW SILLY, STUPID, RIDICULOUS OR UNREALISTIC THAT BOOK IS. Am I selling these books? No. Am I putting them forth in the world and telling everyone how great they are? No. Are these the only books I’m making? No. But let me tell you something very critical. These just might be the most important books I’ve ever made.
When I quit working as a photographer at the end of 2010, unexpectedly, an entirely new world opened up to me. The same exact thing happened the minute I made the first book in this series (The RGB Book). Talk about a lightbulb going off. And it isn’t just me. I’ve done seven of these books so far, have a list of eighteen more I’m working on now, some good, some silly, some I don’t know what, and I’ve also shown them at some of the presentations I’ve done. Each time, after showing these books, I’ve had photographers come up and say, “Seeing those books jarred something loose.” This makes me feel like my idea of being an example was perhaps the right move.

By the way, if anyone out there is experimenting in this same vein then please let me know. I’ve seen some prime examples over the past few years and would love to see more.

The Leica File: 10

Yes we have officially survived to the tenth episode of The Leica File. I know that some of you are sobbing with joy at the mere mention of this fact. What’s not to love? My nasally voice, a cheap cover image and presentation so slick it’s like verbal ice.

This episode takes us along a dusty ride through the back alley of rural New Mexico. James, contemporary well-drilling marvel and his high wire act expose us to the danger of the modern frontier. Shot with the trusty M6 and 35mm lens. Be careful or you might get some on you.