Gig Magazine

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Welcome to Gig Magazine. I dig the Hell out of this. One guy, a desire and boom….a magazine. I keep waiting to see more of these efforts so get off your butts and make one. I’ve done two in the past month, but am working on my next “official” version which might be for sale….

From the “about” tab.

“gig MAGAZINE is unique because each issue features only one band at one gig.

The goal of gig MAGAZINE is to bring attention to the band, the venue, as well as the people in the background that work to make the gig happen and connect them with the fans. Our magazine is not filled with ads, each issue is 12 pages, has about 10 photographs and an interview with the band. The issues will also include contact information for the band, venue, and promoters involved to make the gig happen.”
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This beast is the brainchild of one Justin Thor Simenson of Nuevo Mexico. I thought it would be a stellar idea to drop him a few questions and pick his brain about life, love and the merger of music and magazine.
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1. Who are you? What are you?

My name is Justin Thor Simenson. I am a photographer based in Albuquerque. I photograph long term projects as well as live performances.

2. Why Gig? What is the story behind the music?

After shooting quite a few shows and reviewing my photos I realized that the story of just a single show was well worth telling. gig MAGAZINE is about a single artist at a single show. That brings a certain weight and meaning behind that show and all the effort involved in it. I also do my interviews at the show. That makes them relevant. they are open conversations that I record. I do try to talk about the artists’ creative drive or something relative to the show they played. Their words combined with about 10 to 12 photos make up the magazine.

3. Why Blurb?

I had some experience with MagCloud before gig. I had used them to make a catalog for a friend and some digest sized books for myself. I knew that the magazine size was perfect for gig because it is such a traditional size to hold. MagCloud, now Blurb, also offers an easy to use marketplace for me to sell them in both digitally and in print. Plus the price is amazing.

4. What’s the short term and long term goal?

Short term I plan to cover Albuquerque’s local music scene and New Mexico’s venues. I am still working through tweaks in the layout and different ways to distribute the printed versions locally. Albuquerque has some great talent and I feel gig MAGAZINE can help them with exposure.

Long term I would love to collaborate with other photographers around the country. I know there are other towns and cities that have great musicians and great venues just waiting to be shared with the world. I would also love to collaborate with local venues to create unique issues of the magazine.
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5. What would you like to see improved, changed or added?

It would be great to have the option of different paper selections for the cover. gig MAGAZINE is only 12 pages and because of that having a slightly heavier stock on the cover or a matte finish would be awesome.

Also, I look forward to working in Blurb’s Bookwright software. I have been creating my issues in an older version of Apple’s Pages because the new one has some ridiculous limitations for magazine layout. I am not a designer by any means and I want something that is straight forward, I hear Bookwright will be a step in that direction for me. And after further consideration and after downloading Bookwright….Justin added this thought. Actually there is one thing I would like Blurb to add. After I downloaded and installed Bookwright I realized that Blurb magazines doesn’t allow 12 page magazines. MagCloud has a stapled edge option that allows me to do my 12 page magazine and is a bit cheaper than the perfect edge.

I would also like to see a thicker cover or a matte finish cover option added. That would make the magazine stand out a bit more.

6. Influences? Who are the folks turning you on creatively?

My biggest music photography influence has to be Douglas Kent Hall hands down. His photographs from the 60′s and 70′s are amazing. There are quite a few current music photographers I follow, Peter Pabon, Erez Avissar , and Jesse Littlebird Because of the other work I photograph I also pull a lot from the fine art world and Fraction Magazine.

Nature Always Wins

“Nature always wins,” she said.

“I wrote that in my journal yesterday,” I said. “Those exact words.”

This is a place worth getting involved with. There is meaning to life here. Good, bad, beautiful, ugly, all of it. The weather has meaning as well. Water means a tremendous amount, even if the rest of the country doesn’t seem to notice the lack of life’s fluid in the Southwest

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June is known for hot and windy not hail and gully-washing downpours, but here it was, for the taking. A thirteen-hour drive complete, fatigue overwhelming me, my soul and every trace of my DNA. And then came this, like a freight train of ice and wind. I had to record it. Had to.

In the grand scheme this was a kiss from a baby. Down south they got baseball size gifts wrapped in seventy mile per hour wind. Nature here likes to remind, and it’s comforting to know your place in the world. Concrete has yet to consume here, and I hope it never does. This place is still wild and we are just visitors.

New “Field Magazine” for New Mexico

I just ordered this thing and received it in less than one week. The doorbell rang and I looked through the glass to see yet another Blurbish box, the 157th time this has happened to be exact. I actually didn’t know what it was because I had only ordered the magazine a few days ago and didn’t think that could possibly be enough time. Apparently it is. BOOM, it’s here. I did one of these months ago, a small one, 20-pages, which I’ve been using in the field. This last trip, which was mostly wasted replacing the entire sewer line at my house, I used the magazine while working just outside of Santa Fe. The response to having the magazine was as good as you could get. In fact, it was what prompted me to do this version which is 80-pages and has more of the full story of why I’m out doing what I’m doing.

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Making a publication like this, and then showing it in the field, is evidence you are not messing around. In fact, after I showed the previous version, the person I showed it to referenced the magazine later the same day and then again a few days later. I think it also had a lot to do with this person saying “You guys are okay,” and “I think you have good intentions with what you are doing,” and in that neck of the woods trust is essential to do any kind of photographic business. As for making a tool like this I don’t over think the matter. I see a need and I just go. So far this methodology has worked out pretty darn well, both commercially and now entirely and joyfully on my own.
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As with many of the things I create these days, I didn’t have a lot of time to obsess about the meaning or particulars. Even with limited time the creation of this tool forced me to spend focused energy in regard to editing and sequencing. This is NEVER a bad thing even when after doing so you realize how LITTLE good work you actually have. Sob, sob. I think it has been four years and counting on this project, but a very, very light part-time at best. Doing this particular kind of work you realize the world isn’t a small place at all. You realize that even one state, in one country, on one continent would take a lifetime to really get to see and understand.
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Full admission here…looking at this magazine makes me FEEL really good. It FEELS great to find a bit of clarity in the photographic clutter of life. I carry this thing in my bag and hope I can show it to others. It makes me think about what I’m doing and how the people IN the photos would respond to this. How would they feel? What does it mean to be included? What will it mean to those who have yet to see it? Having this magazine also makes me feel like there are A LOT of photographers in the world who could do amazing things with this tool. The magazine represents a very special place in the heart of generations of photographers. We all know the current state of the editorial world, so when you think about doing a magazine on your own, and running work the way it was intended to be seen, you realize just how powerful a tool like this can be. If I was a better designer I would love to create a collaborative, quarterly publication showcasing good photography with enough real estate to allow the work to shine.

Homecoming

“You know this story of yours might be a homecoming.”

This idea was presenting to me by a friend and fellow photographer after we overlapped on our current projects. My current project IS a homecoming, and each and every time I bring my camera to eye I can sense and sometimes feel the influence of my father. He’s out there somewhere. Sometimes he plays tricks on me. (The hummingbird thing..I know that was you padre.)

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The short of it is I miss the old man. Dad was the reason we first went to Wyoming all those years ago. The cross country drive with siblings and a car sick dog. The silence, the wind, the smell of sage after a rain. Like an infection, that place put the hooks in me and never let go, and it’s because he put me there in the first place. I set my pants on fire with a branding iron because of him. I got trampled by cows because of him. I got stepped on, scraped off, bucked off and knocked over by horses because of him. I got my fingers caught in the fence because of him. I broke beaver dams because of him. I picked up nails because of him. I learned to shoot, hunt and fish because of him.

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Wyoming was true open space and once you have it in your bloodstream there is no antidote available. You have to live with the knowledge of what it’s like. The overwhelming din of absolute silence and isolation. The elements, those you need to mind or they will erase you from this place, and the landscape that reminds you that you are one step away from nowhere. I think about this place on a daily basis. I don’t fully understand it, not sure I ever will, but now I have New Mexico and this place is rapidly filling a mile wide void in my mental state. I need this place more than I want it, if that’s possible. Dust and bones, history and the knowledge that out there, around the next bend or over the next ridge line, is the unknown I’m stalking like the ghost of a bygone time.

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The sound of leather soled Western boots on the dry ground. The flash of lightning and simultaneous pounding of the accompanying thunder. Hail so thick it looked like snow. Watching game move through that first crack of morning light, foreleg lifted but not yet placed, nostrils exhaling the steam of a heart driven combustion engine, all senses on high-alert. It was all too good to believe. Of course I had no pressure on me, it wasn’t my ranch. It belonged to him, and his ranch partner who is equally guilty in this crime of my exposure to the West.
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Juan wasn’t my father but it sure felt like he was, and this was a good thing. Juan wasn’t from the West, he was Cuban, but as they say he got west as fast as he could. The real deal cowboy. Not the rodeo type or the owner of a 4×4 with a lift kit, he was right off the pages of what you think you know about the West. I saw him do a lot of things you probably wouldn’t believe, so I’m not going to waste your time with trying to explain them to you now. He had a touch of the wild in him, probably still does. I hid his cigarettes and he ran me down and made me give them up. He made me do everything I was afraid to do. He taught me an extreme range of words I wasn’t supposed to repeat. He bought me a hamburger after I started crying when I slammed my head into the passenger side window on the way home from a trip to Ft. Collins to pick up tractor parts. He rescued my fingers from the fence. He left me in the middle of nowhere with a notepad and my first “assignment” to track the cows being bred by the lucky bull in front of me. It was perfect.
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There was also another guilty party. Yep, mom was there too. She taught me a lot including what a Pentax K1000 and Haliburton case looked like. That case went everywhere we went, just like the bag I carry today. From truck to truck it would be stuck behind the bench seat as we roamed the pastures or mountainsides coming out from time to time to make these pictures you see here. Back then what she did was considered not extreme but dedicated. Like a slow trickle from an irrigation pipe, it might not seem like a lot but when all is said and done a photographic archive exists and the thirst of a field is satisfied.

I’m not sure where I go from here. I really don’t know. All I know is I can’t run from the demon forever. At some point the haunting of the West will come calling and I will need to go and pay whatever respect is required. It might be nothing. It might be everything. Until that time I’ll continue to drift. And when I’m out there amid whatever it is that brushes against me, I’ll know that the old man is there too, right where he should be.

Dedicated to BOJ

Thanks for putting me there.

White Sands “Magazine”

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Guilty.

I’ve done it again. I’ve spawned another publication. This particular item from a brief encounter with White Sands National Monument, which is one tiny piece of my New Mexico opus. I can’t really call this a magazine, but I can call it a magazine format, which it is.
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There was some confusion about this, but what I do is open InDesign and under the file menu you will see “Book Creator.” This allows you to punch in relevant information about specifics and then the plugin generates your files automatically, complete with bleed and trim lines. In short, if it works for me then it HAS to work for you. My design skills are puny, something I acknowledge up front to set the appropriate expectation levels.

Am I selling this little beast? No. Am I professing it’s beauty? Only it’s size, shape and material. Am I claiming it makes a profound statement? No. Am I claiming it forced me to edit my day’s take? Yes. Did creating this force me to think critically and make decisions? Yes. Am I going to make more? What do you think?

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Over the past two weeks I’ve created at least three magazines, several books, a few letters and an assortment of handmade objects, both from the road and from here at home. It’s been a strangely productive time, but the pull of the unknown is creeping into my subconscious once again, which can only mean one thing. I must make more images. The monkey on my back is undeniable, insatiable and can’t be reasoned with.