Because I Can: The Postcard Book

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Hey Folks,

This is the latest post in the “Because I Can” series about making Blurb books in an edition of ONE. Yes, you heard and read correctly. I’m making books with the intention of capping the print run at ONE book. Why? BECAUSE I CAN. We have really only had this option since about 2006, yet photographers ALREADY seem to take this for granted. I know, there is so much change on a daily basis that we are perpetually thirsty for the new, always wanting the latest and greatest. I get it. However, I for one cannot overlook the power in having the ability to make a single book. I wrote about this in a previous post, so if you want the background then go back and have a look. I pulled a selection from that prior post to set the table for this one. This is a series people. I’ve made at least a dozen books already and have eighteen more in the pipeline.

This book was created after overhearing a conversation between two young girls in a Japanese stationary store. They came across postcard material and said “Remember these? I really miss getting these in the mail.” Then they spoke about “giving up” and going with email. I asked myself “Why?” Why do we do this to ourselves. We give in, give up, cave to what is happening these days, as if we don’t have a choice. This book was crafted from found post cards, scanned front and back. Postcards were then sleeved and inserted into airmail envelopes.

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Collaborative Book with Mom

After making books with Blurb since 2006 I’ve finally done a first draft of a collaborative book with my mother. Now, before I explain this you should know that from 2006, when my mother saw her first Blurb book, I had her convinced I was the ONLY one who could make these. I did this to elevate my sibling rank within our family. My sister is rotten, my brother is worthless, and I am clearly the ONLY one who matters…..
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Mom thought the book thing was native to ME. For years it worked perfectly.

But then mom asked “Why don’t you make me a book of my poetry.” To deflect this I fed her the line that makes many people cringe. “Sure, I’ll make you a book just as soon as you edit your work to the best twenty-five poems.” She responded as I expected her to. “Narrowing to twenty-five is impossible,” she said. I said, “Well, when you get there let me know.”
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As expected, she was slightly delayed with this process. After six years, my ranking within the family had plateaued. I’m still, by far, the most important sibling (wink, wink) but I wanted to put the final nail in the coffin of my brother and sister, so while at my mother’s house a few weeks ago I made this first draft.

I’m not stupid. I didn’t tell her I was making the book otherwise we would have had MASSIVE creative differences in regard to which poems best paired with certain photographs. I just did it. I also just did it because I knew it was a first draft. I do this all the time with books, but I’m amazed at how many folks I run into who either never think of doing this or are convinced they are going to make a perfect book the first time out. The odds of their doing so, in most cases, are very slim. I’ve found that doing drafts takes all the baggage associated with making books and throws it out the window. My question is “What is the downside?” I’m on the hook for ONE copy and when I get it I live with the good and bad,and I learn from the draft and make a better, more polished book the second time around. Sometimes I even do three or four versions before I’m happy. Yesterday I was faced with someone wanting a signed copy of this thing, which caught me by surprise, but I explained this was only flavor number one and there was a subsequent flavor on the way.
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There are things about this book I like. The overall dark and somewhat edgy feel. The portrait format. And I also love the puzzle you are required to solve when you combine seemingly RANDOM imagery with specific poems. I LOVE certain spreads. I don’t love page numbers. I love the mixture of image and border sizes. I don’t love the size of the copy. I also should have used charcoal grey or black end sheets and NOT the light grey, and I don’t like the final image in the book, it’s just too obvious. I do like the scanned, blank 4×5 negative I used in the front, and I REALLY like the spread with title page on the right and definition of inertia on the left. Imagewrap worked well although this is only a stand in cover image. I’ve got another image, very similar to this one, that has a different meaning to me and version two will see this new image on the cover. I think twenty-five poems is a good number and a roughly 60-page overall book is good and fits the attention span of the audience of this particular publication. I also see a series of these books which is why this one will be titled “Volume One.”
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Version two will be pretty solid I think. This book is not for sale, nor will it ever be. It was not made to make me famous, or her. It was not meant as a barometer of my talent, or hers. It was simply an exercise, and a record of her work and mine and how those two things play together. This book alerted me to the fact I’ve been missing an entire genre of books. There is much to do….

Because I Can : Wargames

Hey Folks,

This is the latest post in the “Because I Can” series about making Blurb books in an edition of ONE. Yes, you heard and read correctly. I’m making books with the intention of capping the print run at ONE book. Why? BECAUSE I CAN. We have really only had this option since about 2006, yet photographers ALREADY seem to take this for granted. I know, there is so much change on a daily basis that we are perpetually thirsty for the new, always wanting the latest and greatest. I get it. However, I for one cannot overlook the power in having the ability to make a single book. I wrote about this in a previous post, so if you want the background then go back and have a look. I pulled a selection from that prior post to set the table for this one. This is a series people. I’ve made at least thirteen books already and have eighteen more in the pipeline.

This little gem is one of my favorites so far. The work comes from a project I did several years ago, paintball and the combat that ensues upon the word “Go.” After receiving the book I drove it out to the paintball range and let the boys unload on it. The book was then allowed to dry then coated with a clear sealer. The entire mess lives in a black bag. Blurb wrote about this in their recent newsletter which went out earlier today.
As for the guts. Entire book was shot with Kodak TMZ.(RIP) If I remember correctly I used Contax G2’s because I knew I was probably going to get shot and it just might ruin a camera. I had three G2’s, so they were somewhat expendable. The book was super simple, 11×13, landscape, Proline Uncoated and all full bleed, double trucks. The case was made by Process Supplies. I loved the look and feel of the basic book itself, but it feels far more complete after the shooting.
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