publications

The Peruvian installment of the ever popular "Dogs Can't Read" series documenting street dogs and graffiti in cities around the world.

The Panamanian installment of the ever popular "Dogs Can't Read" series documenting street dogs and graffiti in cities around the world.

"Homework v4" is the latest installment in the life of a book series. The images in this book were all created at my house in California as a way of reminding myself I don't need to travel to make interesting photographs. The book continues to evolve in various forms....

Panama Journal is a look inside contemporary Panamanian life.

The journal companion to Manifesto Magazine, the new publication of photographer Daniel Milnor. Lined pages and a sampling of images from the recent issue, designed to be carried at all times.

Peru: Photographs Color 6x6 and 35mm black and white portfolio of imagery made in Peru, South America. From the streets of Cusco to the barren landscape of the High Andes, Peru: Photographs takes you on a tour of the land of the Inca.

Maroc: Africa. Just traveling, an idea where to go, and when and how, but if it all changes it matters not. A Fiat Uno, white, no air, no stereo, just glass and thin metal, buzzing toward ancient cities, the desert, while the Atlas loom in the distance.

On Approach: throttle back mythic bird of vulnerability tip toes egg shells adrift, hoping to bluff your way through skin and steel membrane at odds with the world down below aloft by numbers helpless hollow true

Sketches of Paris: Walk the streets of Paris during the time of winter light. Paris in black and white, in the classic rangefinder tradition. Lined right hand pages for your writing pleasure. A companion book for anyone with the habit of putting pen to paper.

Daniel Milnor's black and white study of Sicilian Easter. Shot over a five-year period, this body of work focuses on the triumph of good over evil, life over death and drama that revolves around the concept of faith.

The fourth book in a series looking at dogs and graffiti in several cities around the world. Graffiti, emotion fueled by confrontation, is a nearly perfect mimic of the society from which it comes. The nuance is felt in the style, location and message. The dogs meanwhile, don't care. Dogs Can't Read.

The third book in a series looking at dogs and graffiti in several cities around the world. Graffiti, emotion fueled by confrontation, is a nearly perfect mimic of the society from which it comes. The nuance is felt in the style, location and message. The dogs meanwhile, don't care. Dogs Can't Read.

The first book in a series looking at dogs and graffiti in cities around the world. Graffiti, emotion fueled by confrontation, is a nearly perfect mimic of the society from which it comes. The nuance is felt in the style, location and message. The dogs meanwhile, don't care. Dogs Can't Read.

The second book in a series looking at dogs and graffiti in several cities around the world. Graffiti, emotion fueled by confrontation, is a nearly perfect mimic of the society from which it comes. The nuance is felt in the style, location and message. The dogs meanwhile, don't care. Dogs Can't Read.